Alexandra

REVIEW: LIMP WRIST AND THE IRON FIST (BRIXTON HOUSE)

Returning to Brixton House this week for Limp Wrist and the Iron Fist was an utter joy. Emmanuel…
REVIEW: THE SIGNALMAN (DARLINGTON HIPPODROME)

Halloween may be over, but appetite for a good fright lingers, haunting theatres across the country…
REVIEW: COME FROM AWAY (DARLINGTON HIPPODROME)

There’s something fitting about Come From Away finding its way to the Darlington Hippodrome through community…
REVIEW: BAD LADS (LIVE THEATRE, NEWCASTLE)

Graeae Theatre Company’s Bad Lads at Live Theatre is a harrowing portrayal of the horrors endured at…
REVIEW: LITTLE WOMEN (DARLINGTON HIPPODROME)

The cooler seasons are setting in, and what better way to welcome them than with Anne-Marie…
REVIEW: THE CHAOS THAT HAS BEEN AND WILL NO DOUBT RETURN (SOUTHWARK PLAYHOUSE)

2025 Fringe summer may be over, but autumn brings the promise of exciting Fringe transfers. Among…
REVIEW: BLACK POWER DESK (BRIXTON HOUSE)

In an age of heightened political tension, theatre has never felt more necessary. There exists a…
REVIEW: TWO (GREENWICH THEATRE)

The autumn theatre season has commenced at Greenwich Theatre with a revival of Jim Cartwright’s Two – what…
STAGEY BRIEFING: BURLESQUE OPENS AMID CHAOS, MJ ANNOUNCES CLOSING & MORE…

This week in theatre: a beloved jukebox prepares its final bow, a controversial film adaptation dominates…
REVIEW: BRIXTON CALLING (SOUTHWARK PLAYHOUSE)

Known for staging work that’s as inventive as it is intimate, the Southwark Playhouse continues to…