Alexandra

REVIEW: LITTLE WOMEN (DARLINGTON HIPPODROME)

The cooler seasons are setting in, and what better way to welcome them than with Anne-Marie…
REVIEW: THE CHAOS THAT HAS BEEN AND WILL NO DOUBT RETURN (SOUTHWARK PLAYHOUSE)

2025 Fringe summer may be over, but autumn brings the promise of exciting Fringe transfers. Among…
REVIEW: BLACK POWER DESK (BRIXTON HOUSE)

In an age of heightened political tension, theatre has never felt more necessary. There exists a…
REVIEW: TWO (GREENWICH THEATRE)

The autumn theatre season has commenced at Greenwich Theatre with a revival of Jim Cartwright’s Two – what…
STAGEY BRIEFING: BURLESQUE OPENS AMID CHAOS, MJ ANNOUNCES CLOSING & MORE…

This week in theatre: a beloved jukebox prepares its final bow, a controversial film adaptation dominates…
REVIEW: BRIXTON CALLING (SOUTHWARK PLAYHOUSE)

Known for staging work that’s as inventive as it is intimate, the Southwark Playhouse continues to…
REVIEW: THE ROCKY HORROR SHOW (NEW WIMBLEDON)

If I had a pound for every production of The Rocky Horror Show I’ve reviewed this month, I’d…
BARNUM LEAD CASTING & INITIAL TOUR DATES ANNOUNCED

This morning, Bill Kenwright Ltd announced a revival of Barnum, a brilliant new iteration of the beloved…
MEAN GIRLS TOUR DATES ANNOUNCED

After closing this weekend in London’s West End, Mean Girls has confirmed tour dates for 2026-2027.…
REVIEW: OVERSHARE (GREENWICH THEATRE)

Content warnings: suicide, drug abuse, self harm, bereavement, depression. Last week, I had the pleasure of…