Alexandra

REVIEW: INTERPLAY (YORK THEATRE ROYAL)

Last night, I had the absolute joy of returning to one of my favourite theatres, York Theatre…
SYNDICATED INTERVIEW: RUFUS HOUND (THE MESMERIST)

Anybody who knows me will know that I am drawn to heartfelt theatre — work that…
REVIEW: THAT’LL BE THE DAY (LONDON PALLADIUM)

Few theatrical devices are as powerful – or as dangerous – as nostalgia. In its 40th…
REVIEW: THE CONSTANT WIFE (YORK THEATRE ROYAL)

The Constant Wife is kicking off a very exciting year of theatre at York Theatre Royal, placing…
REVIEW: GERRY AND SEWELL (ALDWYCH THEATRE)

From the moment I arrived at the Aldwych Theatre last night, there was something distinct about…
REVIEW: THE HIGHGATE VAMPIRE (OMNIBUS THEATRE)

Amidst the seasonal barrage of festive pantomimes, it is something of a relief to encounter a…
REVIEW: BEAUTY AND THE BEAST: A HORNY LOVE STORY (CHARING CROSS THEATRE)

With the festive period bearing the promise of a constant barrage of conventional pantomimes, reviewing at…
REVIEW: ROBIN HOOD AND MAID MARIAN (CORN EXCHANGE)

There is something truly joyous about encountering a pantomime you haven’t yet ticked off your festive…
REVIEW: SLEEPING BEAUTY (YORK THEATRE ROYAL)

The beginning of December marks the return of panto season, and York Theatre Royal’s 2025 offering, Sleeping…
REVIEW ROUNDUP: PADDINGTON THE MUSICAL

Last month, I had the absolute joy of being in attendance during the preview period for…