Alexandra

REVIEW: GERRY AND SEWELL (ALDWYCH THEATRE)

From the moment I arrived at the Aldwych Theatre last night, there was something distinct about…
REVIEW: THE HIGHGATE VAMPIRE (OMNIBUS THEATRE)

Amidst the seasonal barrage of festive pantomimes, it is something of a relief to encounter a…
REVIEW: BEAUTY AND THE BEAST: A HORNY LOVE STORY (CHARING CROSS THEATRE)

With the festive period bearing the promise of a constant barrage of conventional pantomimes, reviewing at…
REVIEW: ROBIN HOOD AND MAID MARIAN (CORN EXCHANGE)

There is something truly joyous about encountering a pantomime you haven’t yet ticked off your festive…
REVIEW: SLEEPING BEAUTY (YORK THEATRE ROYAL)

The beginning of December marks the return of panto season, and York Theatre Royal’s 2025 offering, Sleeping…
REVIEW ROUNDUP: PADDINGTON THE MUSICAL

Last month, I had the absolute joy of being in attendance during the preview period for…
REVIEW: LIMP WRIST AND THE IRON FIST (BRIXTON HOUSE)

Returning to Brixton House this week for Limp Wrist and the Iron Fist was an utter joy. Emmanuel…
REVIEW: THE SIGNALMAN (DARLINGTON HIPPODROME)

Halloween may be over, but appetite for a good fright lingers, haunting theatres across the country…
REVIEW: COME FROM AWAY (DARLINGTON HIPPODROME)

There’s something fitting about Come From Away finding its way to the Darlington Hippodrome through community…
REVIEW: BAD LADS (LIVE THEATRE, NEWCASTLE)

Graeae Theatre Company’s Bad Lads at Live Theatre is a harrowing portrayal of the horrors endured at…